{"id":11468,"global_id":"archive.rakuskekulturneforum.sk\/de\/?id=11468","global_id_lineage":["archive.rakuskekulturneforum.sk\/de\/?id=11468"],"author":"1","status":"publish","date":"2024-09-27 12:15:40","date_utc":"2024-09-27 12:15:40","modified":"2024-11-28 10:36:04","modified_utc":"2024-11-28 10:36:04","url":"https:\/\/archive.rakuskekulturneforum.sk\/de\/veranstaltungen\/konzert-im-rahmen-der-kampagne-orange-the-world-2024\/","rest_url":"https:\/\/archive.rakuskekulturneforum.sk\/de\/wp-json\/tribe\/events\/v1\/events\/11468","title":"Konzert im Rahmen der Kampagne \u201cOrange The World 2024\u201d","description":"

Konzert im Rahmen der Kampagne \u201eOrange the World\u201d<\/strong><\/p>\n

Hackbrett Solokonzert<\/strong><\/p>\n

Hemma Pleschberger-Schm\u00f6lzer<\/strong><\/p>\n

    \n
  1. November 2024, 18.00<\/strong><\/li>\n<\/ol>\n

    Bratislava, \u00d6sterreichisches Kulturforum, Hod\u017eovo n\u00e1m. 1\/A<\/strong><\/p>\n

    Das Saiteninstrument Hackbrett ist unter verschiedener Nomenklatur (Cimbalom, Hammered Dulcimer, Hackbrett…), unterschiedlicher Optik sowie variabler Anspieltechnik nahezu weltweit vorzufinden. Im \u00f6sterreichischen Raum spielt(e) das Hackbrett nicht nur vorwiegend in der tradierten Volksmusik eine gro\u00dfe Rolle, sondern es gewinnt zunehmend im zeitgen\u00f6ssischen Sektor an gro\u00dfer Popularit\u00e4t.<\/p>\n

    Die \u00f6sterreichische Hackbrettistin, Hemma Pleschberger-Schm\u00f6lzer, hat vor \u00fcber 20 Jahren die zeitgen\u00f6ssische Musik f\u00fcr sich entdeckt und sich darauf spezialisiert. Zahlreiche Komponistinnen aus dem In- und Ausland komponieren f\u00fcr sie zeitgen\u00f6ssische Werke. Bei ihrem Solokonzert im Zuge der Kampagne \u201eOrange The World\u201c wird die Vielseitigkeit des Saiteninstruments Hackbrett auf spannende Weise dem Publikum n\u00e4her gebracht. Mit Kompositionen von internationalen Komponist:innen, wie Petra Stump-Linshalm (\u00d6sterreich),\u00a0Se-LienChuang (Taiwan), Barbara Schneider-Romen (\u00d6sterreich), Fredrik Schwenk (Deutschland), Jo\u00e3o Pedro Oliveira (Portugal) und Weiteren unterstreicht sie die Zusammengeh\u00f6rigkeit des global vorkommenden Instruments. Tauchen sie ein in eine klangvolle Welt aus zart gezupften, hart geschlagenen Saiten, elektronisch ver\u00e4nderten Ger\u00e4uschen und T\u00f6nen, gepaart mit perkussiven Kl\u00e4ngen!<\/p>\n

    \u00a9 Hemma Pleschberger-Schm\u00f6lzer<\/p>\n

    Programm:<\/p>\n

    1.) \u201eMaelstr\u00f6m\u201c (2006)<\/strong><\/p>\n

    cimbalom and tape, dedicated to Enik\u00f6 Ginzery<\/strong> Jo\u00e3o Pedro Oliveira<\/p>\n

    2.) \u201eSweet Dulcimer\u201c<\/strong> Barbara Schneider-Romen<\/p>\n

    3.) \u201eAina Y\u00f6n Saapuessa\u201c<\/strong> (1993)<\/strong> Fredrik Schwenk<\/p>\n

    4.) \u201eEau de Pharao\u201c (2024, Urauff\u00fchrung)<\/strong> Petra Stump-Linshalm<\/p>\n

    5.) \u201eAbendr\u00f6te\u201c (2014)<\/strong> Se-Lien Chuang<\/p>\n

    6.) \u201eJodler ins Jenseits f\u00fcr Helmut Haid\u201c (2019)<\/strong> Maria Ma<\/p>\n

    7.) \u201efedern lassen. Skizze f\u00fcr Hackbrett\u201c (2014)<\/strong> Anselm Schaufler<\/p>\n

    8.) \u201eLudus VI (Salve Regina)\u201c (1999)<\/strong> Hans Stadlmair<\/p>\n

    \u00a0Um Zusage wird gebeten unter: pressburg-kf@bmeia.gv.at<\/strong><\/p>\n

     <\/p>\n

    \u00a9 Hemma 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